Completed: 2007
Dimensions: seven coasters, each 3 1/4" in diameter
Sometimes I'm just a sucker for pretty yarn. I bought one single ball of Artful Yarns' Jazz yarn (in color "Billie") at a store back in 2003 or 2004, but didn't have a plan for it and didn't do anything with it for years.
Finally I decided something needed to be done with it, even if it was just to let me work with it.
I used a size G crochet hook and crocheted little single-crochet circles until the yarn was used up, and then felted them inside a pillow case in the washing machine in hot water.
After they were dried and flattened out, I used a spare length of Jamieson's shetland yarn in a light beige to embroider little stars in them. The stars came out much more awkwardly than I had meant them to, but I kind of think they work.
Monday, March 30, 2015
Monday, March 9, 2015
Shetland Tweed Sampler Scarf
Completed: Spring 2014
Finished Size: 6" wide by 57" long (plus 3" fringe at each end)
I have just gotten into weaving relatively recently. I took a beginner's weaving class at the 2013 Vermont Sheep & Wool Festival, and we all got to keep the small (14" x 14") frame looms we used in the class. After playing with that for a couple months, it was so much fun that I bought a small (16") rigid heddle loom.
Of course, because I like to make everything more complicated, eventually plain weave wasn't enough and pick-up sticks were too labor-intensive for the designs I wanted to do. So I bought two more heddles and the book Weaving with Three Rigid Heddles by David B. McKinney, so I could make three- and four-harness tweed patterns on my rigid heddle loom.
This scarf is my first attempt to do a real garment this way.
The pattern is a pretty basic diamond tweed repeat using four harnesses (or, in my case, three heddles).
The warp is two balls of Jamieson Shetland Spindrift in mooskit. There are 72 ends (including 2 selvedge ends) and I used three 10-dent reeds.
The weft is a random collection of six balls of Jamieson Shetland DK (in grouse, moorland, pine, osprey, willow, and sage) I had lying around for years after finishing a fair isle vest. I figured this would be a good way of using them up. Not all of them were used in the vest, and I wasn't sure how they were going to go together, but, hey, it's a sampler. This is the color repeat I used:
6 picks grouse
30 picks moorland
6 picks pine
30 picks osprey
6 picks willow
30 picks sage
I figure it is inevitable that someday I will end up with a sixteen-harness loom.
Finished Size: 6" wide by 57" long (plus 3" fringe at each end)
Finished scarf under observation |
Of course, because I like to make everything more complicated, eventually plain weave wasn't enough and pick-up sticks were too labor-intensive for the designs I wanted to do. So I bought two more heddles and the book Weaving with Three Rigid Heddles by David B. McKinney, so I could make three- and four-harness tweed patterns on my rigid heddle loom.
This scarf is my first attempt to do a real garment this way.
The pattern is a pretty basic diamond tweed repeat using four harnesses (or, in my case, three heddles).
The warp is two balls of Jamieson Shetland Spindrift in mooskit. There are 72 ends (including 2 selvedge ends) and I used three 10-dent reeds.
The diamond tweed pattern |
The weft is a random collection of six balls of Jamieson Shetland DK (in grouse, moorland, pine, osprey, willow, and sage) I had lying around for years after finishing a fair isle vest. I figured this would be a good way of using them up. Not all of them were used in the vest, and I wasn't sure how they were going to go together, but, hey, it's a sampler. This is the color repeat I used:
Tweed pattern detail |
30 picks moorland
6 picks pine
30 picks osprey
6 picks willow
30 picks sage
I figure it is inevitable that someday I will end up with a sixteen-harness loom.
The scarf in action |
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